The ‘sparkl’ panels change in response to the angle and intensity of light, both transmitted and reflected in their design, creating illusions of depth. Different layers of imagery and color are revealed. The tangled imagery contrasts the orthogonal weave structures and suggests a seaside landscape where the reflected and transmitted light collapses sea and grass, creating dynamic ripples.
The panels are woven on a computer-controlled electronic Jacquard loom with cotton, linen, and PBG fibers which reflect one color when side illuminated with ambient light and emit a different color when transmitting white light. We can dynamically change the color of an individual fiber by controlling the relative intensity of guided and ambient light.
Joanna Berzowska
& Maksim Skorobogatiy
with
Marguerite Bromley
& Marc Beaulieu
photos · Joanna Berzowska & Marc Beaulieu
© XS Labs 2010
'Pleet' presents a silhouette that combines an organic shape with a contrasting element of origami geometry, referring to the natural and artificial properties of light. The design integrates a woven pleated structure over the left shoulder, cascading down the body to the right side of the hip. The textile strips within the pleats are woven with silk & photonic band-gap fibers in the weft and black cotton in the warp. Custom electronics control the illumination of the fibers.
The woven photonic elements create different patterns and textures when illuminated; light is reflected, transformed, and animated within the pleats. This illumination is not a binary operation; it fades slowly and looks different from every angle. This kinetic light brings a performative aspect to the garment, which is quiet and subdued. The wearer can interact with this animation, concealing the luminous structure or revealing the luminosity by unfolding the pleats, creating an illusion of intimacy through artificial light.
Joanna Berzowska
& Maksim Skorobogatiy
with
Anne-Marie Laflamme
Marguerite Bromley
Marc Beaulieu
photos · Karin Demeyer
© XS Labs 2010
The lower back of the dress is augmented with a padded cushion. While at work, the cushion is flipped up to support the lumbar region. The tedious repetitive movements inherent in office work build up during the course of the day. When the office worker can't bear the tension any longer, she gets up from her office chair and flips the padded cushion down to accentuate the traditional tailored silhouette of the dress. The action releases the stored energy, resulting in a burst of light that travels through the front neckline of the dress.